There is something fitting about two of the WTA’s most dramatic personae triumphing on Oscar weekend. From Dubai to Bogota, spectators were treated to two comeback stories. One may have had a bigger budget, but both protagonists, Petra Kvitova and Jelena Jankovic, provided compelling drama throughout their title runs.
Amidst a star-studded cast of characters in Dubai (even without top seeds Serena Williams and Victoria Azarenka) the plot focused on tragic heroine Kvitova. An active, if static competitor, the Czech starlet was faced with questions as to whether she could build upon or at least maintain the form she rediscovered in Doha en route to a three-set defeat to Williams in the semifinals.
Jankovic by contrast is a more passive participant in the sport. A gifted counterpuncher who once topped the world rankings, the Serb was playing in a small South American clay tournament rather than an event closer to home to avoid the ignominious prospect of playing qualifying at the latter. This week, the ostensibly washed-up glamour girl was simply looking to string matches together, something she could do in her sleep during her hey day, now a task with which she has struggled since winning the prestigious Indian Wells event in 2010.
It is a truth universally acknowledged in the tennis world that, when Kvitova is playing her “A” game (even perhaps her “B+” game), she is among the fiercest competitors in the sport. Her hyper-aggressive style took her to great heights in 2011, including a Wimbledon crown and a Year-End Championships title in Istanbul. But Kvitova has been criticized in the last 18 months for her propensity to go off the rails. But as the Middle Eastern fortnight came to a close, the Czech’s game was in full effect, which helped her take out three top 10 opponents, including a net-rushing Sara Errani in the final. As flawless, positively cinematic as she seemed for most of the week, Kvitova still treated fans to some of her trademark drama with a sudden dip in form just shy of the finish line. The tireless Errani sensed her opportunity and switched tactics as she took the match to a decisive set. Somehow, Kvitova turned the match around right when she needed to as the final set got underway. As her “Pojd!”s grew louder, it became apparent how much the win meant to Kvitova, who closed in style and nabbed her first title of 2013.
As for Jankovic, the win in Bogota had more of an “indie” feel rather than a mainstream success. In a field far more reminiscent of an ITF Challenger than a WTA International, JJ only faced one player ranked in the top 100 en route to the final, dropping two sets along the way. In the title match, she faced clay court specialist Paula Ormaaechea, who had been ranked in the top 100 as recently as a month ago and took a set from Venus Williams at last year’s French Open. The Serb had lost her last five finals, which gave this match a “now or never” feel, one last chance for the aging veteran to turn around a spiraling career. By the scoreboard, Jankovic’s victory over Ormaechea was more straightforward than Kvitova’s in Dubai, but it lacked the Czech’s authoritative punch. Playing better defense than she had in the last year, Jankovic relied more on errors from her Argentine opponent than her own stellar play. The week wasn’t pretty from Jankovic, nor were the wins particularly impressive. Yet for the first time in what feels like forever, Jelena Jankovic won five complete, consecutive matches. She was far from her best, but wasn’t this kind of “against all odds” consistency the very thing that made her so maddening only few years ago?
The “match play versus confidence” debate is tennis’ equivalent to the chicken and the egg, but after playing week in, week out in search of wins (and the confidence that comes with them), the Academy finally recognized two of the hardest working women in tennis, and both Jankovic and Kvitova are starting to get a little of both.