Age restrictions on the WTA Tour have wrested dominance from the prepubescent prodigies of old. Week-to-week, players of all ages continue making their mark, all products of their generation. The young guns are fiery, full of determination. Those in their mid-twenties are methodical, but looking for a breakthrough or an escape after nearly a decade at the proverbial grind.
Then there is Kimiko Date-Krumm.
The more we see of the ageless wonder, the surer we are of how she spent those 12 years away from the game. She didn’t spend it marrying German racecar driver Michael Krumm. She wasn’t staying in peak physical condition and running marathons. She certainly couldn’t have been playing tennis, save for an aborted comeback attempt in 2002.
No, it is all clear now. Kimiko spent that decade (or longer) in a time capsule.
After all, how else did she leave the game in the mid-90s only to reemerge in 2008 looking younger than her new crop of rivals, many of whom had yet to be born when the Japanesewoman turned pro (in 1989)? How else did she retain her throwback game, those mercilessly flat groundstrokes and all-court efficiency? How else could she, at (allegedly) 42, be improving at a rate outpacing teenaged players young enough to call Kimiko “Mom?”
Whatever the conspiracy, Date-Krumm should bottle it, sell it, and make millions off of it.
(Then she could buy an island, relax on the beach while maintaining her flawless tan.)
There is plenty of hyperbole here, but only because Kimiko is, in her own subtle way, the most hyperbolic player on the Tour. We as fans and writers enjoy entertaining debates of whether bygone generations could compete in today’s game, yet we fail to sufficiently take notice of this fascinating athletic experiment, one that takes place every time Date-Krumm takes the court.
Coming from an ostensibly extinct era where mental fortitude trumped brute strength, Date-Krumm appears to lack the height and technique of shot to bother the modern player. Yet, most matches involving the Japanesewoman begin and end on her own terms. With bulging biceps, her relentless shots spring from her Yonex racquet like a catapult for screaming winners or unfortunate errors.
With that game plan, Kimiko pummels the ball as well as anyone, and has the resumé to prove it. During the last five years of her incredible second career, she has beaten players like Slam champions like Maria Sharapova, former No. 1s like Dinara Safina and participated in classic matches, none more memorable than her titanic effort against Venus Williams at Wimbledon:
For all she has achieved by simply being on the court, Kimiko continues to come back for more, even after an injury ruined her dream of representing her country at the London Olympics. Riding a wave of confidence and good form at the end of last year, she came to Australia ready to reclaim her giant-killing reputation.
Drawing Nadia Petrova, the No. 12 seed, it looked like an inauspicious start for the Japanesewoman. As well as she had ended 2012, Petrova had hit even higher peaks, and looked primed for a big run at a Slam. Tall and powerful, the Russian is a perfect example of the modern game. But Kimiko proved that her 90s sensibilities were still effective in 2013; she was positively ruthless in a thrilling upset and only allowed the in-form Russian two games.
As other big names were falling around her, Date-Krumm sensed opportunity knocking during her second round encounter with Israeli Shahar Pe’er. Once a formidable opponent, Pe’er alludes to those aforementioned twentysomethings who look as eager for a way out as Date-Krumm is for a way back in. Cruising past the former top 20 player with a set and two breaks, Kimiko looked poised for another effortless victory.
In the oppressive heat and against a reinvigorated Pe’er, however, Date-Krumm would not have the remainder of the match all her own way. But unlike those young enough to be her daughters, for whom “the moment” can crush, the Japanesewoman held her nerve and served out the second round on the second time of asking. Nearly five years after mounting this improbable comeback, Kimiko is in the third round of a Grand Slam event for the first time since 1996.
But then, we should have expected this from a woman who only recently awoke from cryogenic sleep. In fact, check her hotel room for the fountain of youth, lest we be forced to deal with the fact that yes, we can get better with age.
[…]here are some hyperlinks to internet sites that we link to simply because we think they are worth visiting[…]
2015 Acadia Denali says
Some of these discounts can reduce the cost of a vehicle by hundreds or thousands of dollars.
‘ Urban Uprising (90 Fitzroy St, Surry Hills): If TAP gallery is
innovative’ Urban Uprising is groundbreaking.
I was impressed then, and now I have had the opportunity to
test drive one for a whole week.
While some think the bizarre baby mop is exploitation in the worst way,
others think the novel baby clothing helps stay-at-home-moms clean their floors in half
the time. These are important because not always
is the input signal sufficient for the experiments.
They can play their favorite music tracks, watch music videos, or even watch whole movies.
irobot roomba 880 says
Although such concerns are perfectly understandable, the performance of the Roomba has helped to address them.
Hence, it can be said that the Sony Ericsson C905 mobile phone has almost
everything for the users. The i – Robot Roomba 530 is built-in with a
gentle touch bumper system so that it won’t bump to any furniture or materials inside the room.